Release for the Oppressed (Part 2)

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(July 12, 09)
Dr. Glen Scorgie of Bethel Seminary San Diego writes: Gran Torino is a remarkable exclamation point to the Clint Eastwood film genre. From earlier Eastwood films we are accustomed to witnessing grim vigilante violence that poisons the avenger and leaves little room for hope. Who would have guessed that Eastwood, now in his 70s, would go theological on us?

Three explanations of the death of Christ have prevailed through the centuries: The classic: the cross is the means by which Christ conquers death and the forces of evil. Moral influence: the cross is the means by which Christ wins our hearts. Objective satisfaction: the cross is the means by which justice is served by a costly payment for sin being made. We grasp the significance of Christ’s death by embracing all three.

All three explanations of atoning sacrifice are depicted in Gran Torino. Classic: Walt Kowalski’s sacrifice renders the gang permanently powerless and no longer able to create fear in others. Moral influence: Walt’s sacrifice empowers the Thai lad Thal to differentiate himself from the bad influences of the neighborhood and inspires him to live life that will make the one who died for him proud. Objective satisfaction: a guilt-stricken and bitter Kowalski, bearing the weight of his part in Korean atrocities, makes his peace by an act of ultimate penance.

When Walt goes to the gang members’ house to abuse and threaten the boy he finds there, the result is more violence – evidenced by the drive-by shooting and Sue’s injuries and degradation. However, when Walt puts down his weapons and offers himself has a sacrifice, the result is freedom from oppression for the whole Hmong community. Violence only begets more violence, while love truly transforms.

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